The Thesis:
An Indian Film Realism:
The Politics of Gender Identity in Indian Cinema through the Art of Rituparno Ghosh
Honors Thesis, Cinema and Digital Media and Gender, Sexuality and Women's Studies

Research Synopsis:
My honor thesis in Cinema started with exploring and analyzing queer representation in Indian Cinema - and became focused on the "queer trilogy" of Bengali films made (as a direct or indirect auteur) and starred in by the Bengali Indian filmmaker and cultural icon Rituparno Ghosh. I analyze the representation of queer/trans characters. lives and issues in these films - how they are constructed, who they represent and how "authentically." I look at the films and how they are both "allowed" and influenced by the socio-political context of the LGBT movement in India at the time as well as how they in turn affected how queer/trans people were seen in Bengal. In doing so, I guage the impact of these films and how we can use storytelling as trans filmmakers to tell trans stories in India today.

Rituparno Ghosh
Bengali Indian Filmmaker and Queer Cultural Icon
My honors thesis focuses on the work of Queer Bengali filmmaker Rituparno Ghosh (1963-2013)
Arekti Premer Golpo (2010)
Dir. Kaushik Ganguly
Rituparno Ghosh appears in a double role as an actor.



Memories in March (2011)
Dir. Sanjoy Nag
Written by and acted in by Rituparno Ghosh.
Chitrangada: The Crowning Wish (2012)
Dir. Rituparno Ghosh
Writte, directed by and acted in by Rituparno Ghosh. Learn more about the film and how it traces trans identity to ancient India in order to legitimize South Asian identity on my podcast!
